In ‘Hedda’ Tessa Thompson Is Chaotic, Messy & Riveting

Turning Henrik Ibsen’s play into a sensual Black, queer, romp for modern audiences was risky. But Thompson and DaCosta have proven time and time again that they take big swings. From blockbusters (both have dabbled in the Marvel universe, Thompson is the star of the Creed franchise and DaCosta is about to direct the next instalment of  the 28 Years Later series), to daring adaptations, to small original ideas (they first collaborated on Little Woods), this director-actor duo do all the things we’re being told can’t exist in Hollywood anymore. And their latest collaboration is their best yet. Ultimately, Hedda is a stunning reimagining that painstakingly and purposefully builds towards an astonishing climax. It’s gorgeous and bold and just another entry into the canon of both DaCosta and Thompson’s work about complicated, brilliant, and infuriating women.